A Survival Guide for Cinematographers in Turbulent Times

Women in Cinematography presents:

An unfiltered conversation about everything that nobody talks about

What do you do when the phone stops ringing, fear sets in, and it feels like everyone else is sprinting ahead? How do you balance making a living with staying connected to the kind of projects that matter most to you?

Join award-winning cinematographer Natasha Braier, ASC, ADF in conversation with moderator and cinematographer Danna Kinsky, WIC for a candid discussion on navigating uncertainty, redefining success, and building a career grounded in your unique creative voice.

Natasha Braier, ASC, ADF is an award-winning Argentine cinematographer. She gained early acclaim with XXY (Critics’ Week Grand Prize, Cannes) and The Milk of Sorrow (Golden Bear, Berlinale; Oscar-nominated for Best Foreign Language Film), earning the Golden Camera 300 at Manaki Brothers Festival.

Braier is known for collaborations with visionary directors. The Neon Demon became a visual reference for a new wave of independent cinema and won her the Danish Film Academy Award for Best Cinematography.

Her work spans The Rover, Honey Boy, and numerous award-winning commercials and music videos. IndieWire calls her “one of the most sought-after cinematographers of her generation.”

She teaches internationally and is the first Latinx member of the Board of Governors at the ASC. Braier also founded DEEP-LIGHT, a global mentorship platform for the next generation of cinematographers.

Danna Kinsky is an internationally recognized cinematographer, camera and drone operator based in Los Angeles, with over 30 years shaping award-winning narrative films, documentaries, and music videos. Known for her bold visual style and nuanced use of light, composition, and movement, she works closely with directors to create imagery that heightens emotional resonance and enriches storytelling.

A passionate innovator, Danna explores emerging tools like virtual production and AI to push creative boundaries and is a member of the ASC Motion Imaging Technology Council. She authored a Guide to Camerimage for American Cinematographer and actively champions women’s advancement through the global coalition Women in Cinematography, reflecting her deep commitment to artistic exploration, technical excellence, and amplifying underrepresented voices across the cinematic landscape.